Topographic Studies
- Work Creative Fields Architecture, Conceptual-Analytical
- Project Type Conceptual and Visual Studies
- Medium Pen and Ink on paper, Card Board, Chip Board, Laser Cutting
- Project Date Fall 2010
This exercise explores the techniques of representing landform in drawing and model. The challenge is less about accuracy, but more about representation and conceptual understanding. A piece of local topography is first selected and drawn as-is. Then it is sliced and diced, mirrored and reflected, stretched and compressed…any kind of free transformation was utilized to explore the characteristics of the landform. The last steps was picking a landscape term at random, and represent that in the manipulated landform. The term I chose was revetment, commonly defined as “a facing of masonry or the like, especially for protecting an embankment.” The term was represented by sliding strips of rock-representing material into the alternating slots of a section model. The simple act highlighted the non-structural characteristic of revetment.
As simple as this exercise may seem, the lesson was valuable for all future project reference. First, contours/topographies are manmade abstractions; there are no “contour lines” in nature. Making lines on paper may mean very different things in reality. Second, section topo-models read a lot smoother than pancake topo-models; choose wisely depending on what one wants to represent and emphasize.